Repoussé Pitcher

Model #2795, 1885

silver plate over nickel silver


Based on the number of catalogs, ads, and surviving photographs this ornate silver-plated pitcher was shown in, and the extensive family of matching items, this must have been one of Reed & Barton’s big successes. The intensely flower-encrusted surface suggests extensive, costly hand work. However, this pitcher is another example of Reed & Barton turning to technology to find ways of bringing down manufacturing costs.

The Height of Luxury

In 1828, Baltimore silversmith Samuel Kirk introduced new designs with surfaces completely covered in three-dimensional flowers. This floral pattern, now referred to as Repoussé, or Baltimore Repoussé, or even just as Batlimore Silver, was made by hand hammering the pattern into the surface. Kirk’s extraordinary silver established a new standard for silver work and for luxury.

Almost immediately, there were many other Baltimore silversmiths producing their own version of Kirk’s floral repoussé silver. 


Samuel Kirk & Son

Cynthia Findlay

Jacobi & Jenkins

Austin Auction Company

Jacobi & Jenkins

Nathan Horowicz Silver

This process, called repoussé, uses hammers and small steel punches to push metal out from the inside of a formed vessel. Then details are refined by pushing the metal back inward from the outside (called chasing). All of this takes time and requires great skill, leading to high prices. 

Old Colony History Museum

Baker Library, Harvard Business School

The Reed & Barton pitcher creates the same effect as hand-made Baltimore silver, but it uses none of the expensive hand work, and so cost a fraction of the price of an authentic piece of repoussé silver. Steel dies were created to stamp the pattern onto panels that were then soldered together, with four undecorated strips hiding the seams. 

Samuel Kirk & SOn

hand-chased

Reed & Barton

stamped

Silver plating helps hide all of the joints, giving the impression of one-piece construction. On the inside, this patchwork construction is obvious. But on the outside, it looks every bit as hand made and luxurious as the original silver it was replicating. 

Old Colony History Museum

Patenting

Reed & Barton designer W.C. Beattie patented the ”repoussé” pitcher design. A utility patent protects a technology, a system, or how something works (for example the rotating hinge on a cake basket). A design patent only protects how something looks. It was common for companies to register their designs at this time, partly to protect them from copying, but also partly to promote their reputation as innovators.

A.G. Schultz

Leland Little

In this case there is not much innovative about the design; it is just copying the look of Baltimore silver. But there is a lot of innovation in how the items were produced (with complex steel dies, innovative construction details, electro silver plating), all in service of making a popular aesthetic more affordable. Those elements would be difficult to link to the patent system with a utility patent; they represent smart use of existing technologies and clever business practices, but not anything patentably distinct. 

Reed & Barton Utility Patent, 1879

However, the design, even though it references existing creations, was considered novel enough to qualify for a design patent, and the teapot for this set was granted US Design Patent number 9,405 on July 24, 1876.

Reed & Barton 

Yale Art Gallery

Reed & Barton Design Patent, 1876

Baker Library, Harvard Business School

Photography

glass plate negative

Attleboro Industrial Museum

Through the 1860s Reed & Barton developed an entire photography department and used photography to record designs, produce salesmen’s catalogs, and create images to transfer into engravings for printing in advertisements and catalogs.

Although photography was possible in the 1840s, it was still a specialized (and expensive) new technology. Before the development of film in the 1880s made photography more affordable (and more portable), photographic negatives were made on large, fragile glass plates. Reed & Barton invested heavily and early in the use of photography.

glass plate photograph

Attleboro Industrial Museum

Reed & Barton  also used photographic prints for their patents as early as 1869, which was unusual, as the majority of patent applications showed designs with line drawings.

Reed & Barton catalog

OCHM

Reed & Barton Design Patents

Baker Library, Harvard Business School

Sales Tools

Baker Library, Harvard Business School

This is a common practice today. But in an era when most images were engravings, Reed & Barton’s early use of photography offered a better, and more successful option. Because the nation’s railroad system was also expanding at this time, along with a related increase in hotels near all the new stations, Reed & Barton’s traveling sales force became a crucial part of the business, as it sold goods to more types of customers in ever-farther locations. 

The production of catalogs with highly detailed photographs of available goods allowed salesmen to travel across the United States and around the world, seeking new customers. Armed with a suitcase of assorted samples, or even just fragments, to show quality and surfaces, and a photographic catalog showing the entire range of items, a salesman could then send orders back to the factory. 

Baker Library, Harvard Business School

Salesmen were quick to realize that these trains and hotels also needed a supply of durable metal tableware, and whole new divisions of the company were created to address those markets.

Baker Library, Harvard Business School

The Price of Etiquette

napkin ring, butter dish, and nut dish

Old Colony History Museum

Old Colony History Museum

This water pitcher was sold independently ($11.50) or as part of a 6 piece tea set ($64-) with matching urn ($36-) bowl ($9-) and tray ($58-). 

It could also be purchased in a gold finish, with a storage/presentation box for $400. The catalog notes that this upgraded option matched the set purchased by the Japanese Commissioner at the 1876 Philadelphia Centennial Exposition, to present to the Emperor of Japan.  All of this confirms that the smallest consideration in purchasing a Reed & Barton Repoussé tea set was its actual function.

But consumers were eager to try claiming a place in society by owning these objects, and by understanding the rules of behavior, “etiquette,” that developed to regulate their “correct” use.

It is easy to marvel today at the sheer quantity of items Reed & Barton offered for sale; the 1877 catalog contains many hundreds of products. A well-set table might not NEED an epergne, covered butter dishes, elevated fruit stand, napkin rings, cake basket, tilting water dispenser, ice bowl, revolving condiment holder, pickle jar, salad casters or flatware sets with dozens of different forks and spoons created specifically for certain foods. 

Reed & Barton catalog

Old Colony History Museum

Old Colony History Museum

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